- Allen Shelton-Allen Shelton probably sits at the top of my list of influences when it comes to banjo. Why? Allen took the chordal knowledge of say Don Reno, combining it with elements of Scruggs-style and jazz and created his own sound. A sound many refer to as a “bounce”….see the song Banjo BOUNCE. One of my favorite albums is “In the Tradition” by Jim & Jesse, between that and Shelton Special, I at one time learned ALL of those solos.
- Raymond McClain-Raymond also played the banjo with Jim & Jesse. I think he was seriously underrated. Such a creative player and a very unique tone to go along with it. His “Bells of St Mary’s was one of my favorites, double C tuning with false harmonics. These days, I believe he mostly plays fiddle and teaches ensembles at a university.
- Bill Emerson-“Home of the Redfox” has always been one of my favorite banjo albums. Not only a great player but also a great WRITER. Bill Emerson is one smooth banjo player. I learned more than a couple of his breaks through the years. This album shows you what is possible with a roll-based/Scruggsy style with a few hints of melodics thrown in.
- Don Reno-What can I say, I was seriously into Reno at one time. However, I feel like I’ve forgotten more Reno stuff than anything else unfortunately. Reno was ahead of his time. He combined all the elements of his time (bluegrass/jazz/later rock) into a very unique sound. He uses what many banjo players refer to as single-string style, in addition to rolls and other techniques.
- J.D Crowe-I went through a Crowe phase, although it’s not too terribly evident now. I still think he is one of the best when it comes to backup. He also had some of my favorite TONE on recordings ever. Long Journey Home is one I have always enjoyed the tone on. Get the Bluegrass Album Band recordings and Live in Japan as well.
- Sonny Osborne-What can I say, one of my fondest memories is Sonny playing “America the Beautiful” live. Such a creative player with a wide range of influences. I still think he was one of the best at playing slow songs on the banjo.
- Scott Vestal-While I never really learned any complete Vestal solos I listened to him a good bit. His mix of melodic, single-string and roll based styles influenced my whole outlook on the banjo. I’ll never forget the first time I heard him play at the Everett Brothers music barn, all I had ever heard was Scruggs. I thought, “What planet is this man from!”
These are just a few of my biggest influences that are known. I would dare say I had just as many that were LOCAL PICKERS here in Georgia. Some of the ones that come to mind are Tim Parker, Billy Brown, and Don Norman.
Tim was probably one of the smoothest banjo players I’ve ever heard in my life. He played a lot of contests and won a bunch. I can’t remember exactly but something like 12 times Georgia State champion. I think he took third at Winfield one year. Billy was a dear friend of mine, he had some of the most incredible ears I’ve ran into. He had a sound influenced by Reno with such clarity and taste, it was simply amazing. Don was a big influence because I could be found at Everett Brothers Music Barn most Saturday nights from the ages of 17 to 35. Don played with the Everett Bros. He too was heavily influenced by Allen Shelton and I guess was absorbed by me there. He also had a lot of great backup tricks that I tried to visually steal, lol.
I feel fortunate that I was able to be around great pickers and great people of course. They continue to influence me to this day in my musical decisions and judgement!
I think a banjo student needs to pick good models to draw from. Listen to as much as you can and find out whose sounds you enjoy and see what you can get from them. Sometimes it can be as simple as a lick, sometimes it’s a tone and sometimes it’s even banjo setup ideas.
The bigger your palette of influences, the more you have to draw from, and it too will one day result in you having your own sound as well.